On September 8, 1960, the film was released Psychosis by Alfred Hitchcock. At first glance, it seemed like another horror and suspense film, but in reality, it included a curious advertising experiment for its promotion. The director appeared on various posters and newspaper advertisements asking the public to arrive at the theater on time — it was customary not to do so — and, in particular, to maintain secrecy. What was he referring to? Of course, to the shocking script twist that revealed that the real murderer in the plot was Norman Bates (Anthony Perkins). That, furthermore, he had kept her mother mummified from her since her death and was pretending to be her. All in the midst of a terrifying psychiatric delirium.
Although the British film was not the first with an unexpected and shocking ending, it did mark a milestone in the way terror is narrated. Years later, the film’s ability to create a story that could baffle audiences became almost a subgenre. Also, an ingenious way of conceiving tricky, unpredictable plots and using the audience’s imagination as a sounding board for complicated stories. Much more, to use amazement to make the cinema experience in theaters more exciting.
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We leave you five films with shocking endings, which have baffled the audience, but above all, marked a milestone in horror cinema. From a child capable of seeing dead people to a cabin where the apocalypse will be decided. The selection crosses all horror genres, but also extraordinary stories that show that plots dedicated to terror can still amaze. Even to an incredulous and cynical public.
Based on a short story by Stephen King and directed by Frank Darabont, the film acquired horror classic status due to its unexpected and heartbreaking final scene. Strange as it may seem, it is not due to the fear that it may produce, but to his view of the heartbreaking consequences of an impossible decision.
Like the narrative from which it comes, the plot tells how a group of people become trapped in a supermarket, surrounded by a mysterious fog. Among them, David Drayton (Thomas Jane) and his son Billy (Nathan Gamble). Soon, they discover that the substance is inhabited by monstrous and deadly creatures. As they fight to survive, tensions and conflicts arise between the characters. Which makes them question the nature of humanity and the moral decisions they must make to protect themselves.
But the point that truly baffles and shocks is its last sequence. After confronting the survivors at the premises, David decides to leave the place with his son and a handful of acquaintances. But once on their way and facing the possibility that they will be devoured by the entities around them, they make a decision. That of dying by their own hand, before being dismembered by the jaws of the creatures waiting outside the vehicle. With only a loaded gun, David shoots each of those present and in the end, murders his son. But not having a bullet for him, he goes out to face whatever waits in the fog.
Only to discover that, finally, the phenomenon that caused the appearance of creatures had disappeared and a military garrison arrived with help. The closing shot shows him on his knees, screaming in horror after understanding what happened.
The sixth Sense
The first great experiment with unpredictable endings by director M. Night Shyamalan, came to the big screen in 1999. Thanks to a brilliant twist in the script, what seemed like a horror story became transforms into an unusual look at grief, pain and communication.
But the plot hides its secrets well. Doctor Malcolm Crowe (Bruce Willis) is a child psychologist who, apparently, is trying to find a new purpose in his life. That, after suffering a violent attack from one of his patients. The experience left him weakened and with his marriage almost on the verge of breaking up.
In an attempt to get his life back, he tries to help Cole Sear (Joel Osment), a boy with a unique, unexplained behavior problem. However, Malcolm will soon discover that the boy hides a chilling secret: he claims to be able to see and talk to dead people. As he begins to work on the case, the expert will discover that Cole’s gift is much more sinister than he might assume.
Much more, when it leads him to discover the greatest revelation of all. Malcolm did not survive being shot by his attacker, but he does not know that he is dead. Which leads his entire journey in the film to be a final act of redemption that will allow him to free himself from suffering. With a careful story that avoided giving obvious signs about what was happening, The Sixth Sense became a cult classic.
Unfortunately for Alejandro Amenábar, the film The sixth Sense It was released two years before his. As far as her secret was concerned, it was not as novel nor as shocking as it could have been. Even so, The others is an elegant period drama that not only has a shocking and painful ending. At once, It uses its visual and storytelling resources to create a careful atmosphere that became its hallmark.
Set on the island of Jersey during the Second World Warthe plot tells the story of Grace Stewart (Nicole Kidman), who tries to survive the conflict. The character is a mother who lives with her two children in an isolated mansion. All in the midst of the pressure of children suffering from a strange sensitivity to sunlight. Which means that the house must remain in constant darkness. As the story unfolds, Grace begins to suspect that her house is being visited by supernatural presences.
The plot then turns the light and the lurking specters into enemies to defeat. Especially as it limits Grace’s ability to fight. That is, until she discovers that there is a target in her memory that she refuses to remember and that could explain what is happening to her. The memory finally reveals itself and with it, the terrifying. Both she and her children are dead. The latter, murdered by the mother in the midst of a tragic mental collapse.
They knock on the door
M. Night Shyamalan once again does what he knows best in this adaptation of Paul Tremblay’s book. With a claustrophobic visual style that is specifically held in close-ups, he tells an unusual story. The married couple, Eric (Jonathan Groff) and Andrew (Ben Aldridge), spend a vacation with their daughter Wen (Kristen Cui), when they are harassed by strangers.
The quartet led by Leonard (Dave Bautista) will attack them until they subdue them and then explain the reason for what is happening. Through psychic visions, everyone accompanies them, they are convinced that the end of the world is approaching. Much more so, the only way to avoid it is for one family member to murder another. Committing the crime by one’s own decision and in a kind of divine sacrifice.
The plot doesn’t offer many clues as to what’s really happening. The dilemma that it is a delirium of the group of attackers appears at first as a certainty. But little by little, everything seems to indicate that it is something more. The plot plays skillfully with beliefs and concepts such as love and loyalty. In fact, it is until its last scenes that it is evident that what happens outside is a supernatural event. For its disconcerting finale, Andrew murders Eric and then escapes with Wen, as the tragedies that plagued the world disappear one by one.
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Good night mom
The Austrian psychological horror film, directed by Veronika Franz and Severin Fiala, has a script twist that surprised the audience. But especially because it changes the total meaning of what the film has narrated until then.
The story follows two nine-year-old twin brothers, Elias and Lukas (Lukas and Elias Schwarz), who share a close relationship. Particularly once his mother returns home after facial surgery. It is then that the children begin to question whether the woman under the bandages is really who she says she is or someone else.
But what seems like a terrifying story about a sinister presence changes completely when it is evident that something is happening, not with the mother but with the children. Which ends in a painful discovery: one of the twins died years ago and the other, unable to bear it, refuses to acknowledge his absence. Therefore, he suffers a dissociation of his personality that will have terrible consequences.